NY TIMES

https://www.nytimes.com/2019/12/10/theater/one-in-two-review-donja-r-love.html

“one in two” takes place in that waiting room, but also in the bar where Donté muffles his pain with alcohol; in the bedroom where he tries to obliterate loneliness with sex; and in the medical office where a nurse draws blood and administers kindness. (The institutional green of Cha See’s lighting for those scenes is particularly fine.)”

LIGHTING AND SOUND AMERICA

http://www.lightingandsoundamerica.com/news/story.asp?ID=Q2CXII

Maldonado's set is lit with considerable invention by Cha See, who fluently mixes different temperatures of white, deploying saturated looks for club scenes and the like.

NEW YORK THEATRE GUIDE

https://www.newyorktheatreguide.com/reviews/review-of-signature-theatres-one-in-two-by-donja-r-love

Rich hued lighting by Cha See creates environments as if by magic. Every choice is so perfectly on point, from the bright colors of a disco, the cold light of limbo to the dull mustard of despair. 

THEATRE SCENE

http://www.theaterscene.net/plays/offbway-plays/one-in-two/victor-gluck/

Cha See’s lighting which is usually clinically white also uses color for mood and scene divisions. 

NY STAGE REVIEW

http://nystagereview.com/2019/12/10/one-in-two-an-absurdist-study-of-a-serious-issue/

 It is lighted with precision by Cha See.

REVIEWS

NY TIMES

https://www.nytimes.com/2019/07/18/theater/in-the-penal-colony-review.html

LIGHTING AND SOUND AMERICA

http://www.lightingandsoundamerica.com/news/story.asp?ID=GMBLIO

Cha See's stark lighting -- which includes uplighting effects in the audience seating areas and color-changing floor illumination - provide an appropriately forbidding environment.

THEATRE SCENE

http://www.theaterscene.net/plays/offbway-plays/in-the-penal-colony-2/mark-dundas-wood/

The work of lighting designer Cha See, though-is striking. At one point a strip of eerie colored light rings the playing area, complementing the fluorescent-like quality of the seemingly omnipresent Gatorade bottles.

REVIEWS

THE NEW YORKER

https://www.newyorker.com/goings-on-about-town/theatre/they-forgot-about-the-rest

Cha See’s inventive lighting, Enrico de Trizio’s alarming sound design, and Christopher and Justin Swader’s bunkerlike, corrugated-tin set offer a satisfying demonstration of unified purpose.

LIGHTING AND SOUND AMERICA

http://www.lightingandsoundamerica.com/news/story.asp?ID=-YANZFO

Cha See, must have been hard-pressed to do her job; so much the better, then, that she finds so many creative ways of delivering various looks.

CHA SEE IS VERY EXCITED TO BE EXHIBITED AT THE PRAGUE QUADRENNIAL 2019!

http://www.usitt.org/-PQ-designers-selected/

https://www.pq.cz

REVIEWS

NY TIMES

https://www.nytimes.com/2018/11/19/theater/review-what-to-send-up-when-it-goes-down.html

EXEUNT NYC

http://exeuntnyc.com/reviews/review-what-to-send-up-when-it-goes-down-at-art-new-york-theatres/

TIME OUT NYC

https://www.timeout.com/newyork/theater/what-to-send-up-when-it-goes-down

NY STAGE REVIEW

http://nystagereview.com/2018/11/19/what-to-send-up-when-it-goes-down-making-black-lives-matter-through-art/